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Like many who grew up in the '60s and '70s (and perhaps even '80s and later), Tim and Paul had the course of their lives changed by the 1966 Batman TV show, from the types of play they did growing up to their present-day interests.

In this series, they discuss the show's allure and its failures, the arc of the show from satire to sitcom, its influences (the '40s serials and the comic books themselves) and the things it, in turn, influenced.

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  2. #176 "Marsha", first draft: Too much chat, not enough Bat

#176 "Marsha", first draft: Too much chat, not enough Bat

Jan 20, 2022

Batman and Marsha

We don't know whose idea the character Marsha, Queen of Diamonds, was, but it’s clear that she was created with one woman in mind: Zsa Zsa Gabor. A script for the actress was commissioned by Greenway Productions through a talent agency to two writers, Tom Cannan, Jr, and Jack Cash. The script they produced, Marsha, The Queen of Diamonds (note the extra definite article) is riddled with problems, from requiring special effects way beyond the show's means, to flagrant mischaracterization of the Caped Crusader, to some really lame “holys” from Robin. This time, we pick through the wreckage of one of the more egregious scripts we’ve discussed on this show. Who will buy? Nobody.

PLUS: A punk rock version of the theme by Thirty Going On Thirteen, and your mail about our episode on the development of the show.

William Self interview on the TV Academy site