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Like many who grew up in the '60s and '70s (and perhaps even '80s and later), Tim and Paul had the course of their lives changed by the 1966 Batman TV show, from the types of play they did growing up to their present-day interests.

In this series, they discuss the show's allure and its failures, the arc of the show from satire to sitcom, its influences (the '40s serials and the comic books themselves) and the things it, in turn, influenced.

Tim is an administrator of the Batman '66 Facebook page!

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Oct 29, 2020

Batman and Robin at the dock

Director Leslie Martinson, in his TV Academy interview that we explored last time, kept coming back to the question “What is the director’s input” in a TV show or movie? When he pointed out his input to the famous “bomb” scene in Batman: The Movie, we became curious to see what other aspects of the film might...


Oct 15, 2020

Leslie Martinson

Leslie Martinson was the director of “The Penguin Goes Straight”/“Not Yet He Ain’t” and “Batman: The Movie.” He was a good friend of Adam West’s (but thought Burt Ward was “adequate”). As a director, how much impact did he have on the Batman legacy? For one thing, he played a big role in shaping the...


SCRIPT: Batman: The Movie

Oct 13, 2020

Some days you just can't get rid of a bomb

For reasons that will be clear when you listen to our next TO THE BATPOLES episode this Thursday, the episode after it will be a discussion of the script to the '66 Batman movie! Paul and I are planning to record it on the morning of Oct 20 U.S. time, so you've got a week to look it over and give us your comments!

Read...


Oct 1, 2020

The Duo on the Buoy

Nelson Riddle’s score for Batman, including the 1966 film Batman: The Motion Picture, features energetic, swing-influenced cues that adhere to the action like a Carl Stalling Looney Tunes score, and opera-esque motifs for each villain and each Bat-vehicle. As incidental music tends to be, it’s probably the...


Sep 17, 2020

Fine-tuning Penguin

When you see a script marked “FINAL,” you probably assume that it’s word-for-word the same as what was shot. In the case of “The Penguin Goes Straight”/“Not Yet He Ain’t”, it’s not even the final script! It was followed by a “revised final” script, which still varies significantly from what was...