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Like many who grew up in the '60s and '70s (and perhaps even '80s and later), Tim and Paul had the course of their lives changed by the 1966 Batman TV show, from the types of play they did growing up to their present-day interests.

In this series, they discuss the show's allure and its failures, the arc of the show from satire to sitcom, its influences (the '40s serials and the comic books themselves) and the things it, in turn, influenced.

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Apr 16, 2020

Seal the Batcave - Batman 217

The 1964 "New Look" facelift and, of course, our beloved 1966 TV show created a boom in Batman comics... briefly. The sales numbers dropped to their lowest point yet after the show was cancelled. Meanwhile, diehard fans of the comics, whose vision of Batman couldn't have been farther from how he was portrayed on the show, were fed up and demanding a darker version of the character, a return to his roots.

These fans, many of whom read, and wrote for, the Batmania fanzine, were cheering for the darker look that new artist Neal Adams was giving the Caped Crusader in The Brave and the Bold. Editor Julius Schwartz found that a drastic change was the only way forward. That drastic change came in Batman 217 (above), in which Robin went off to college, and Batman and Alfred left the Batcave and Stately Wayne Manor behind.

In this episode, we're joined by author Ian Gordon to discuss the changes that were made to the comics between 1968 and 1970 and the forces that drove those changes.

Plus, Bobby Valentin's two different versions of the Batman theme (1966 and 1989 varieties), and your mail about the Roast Godzilla episode.

Collectors Call TV: Ralph Garman's Batman collection

The Age of TV Heroes, by Jason Hofius and George Khoury

Bibliography of past episodes that informed this one:

Bobby Valentin "Batman" (1989)

Bobby Valentin "Batman" (1966)

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