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Like many who grew up in the '60s and '70s (and perhaps even '80s and later), Tim and Paul had the course of their lives changed by the 1966 Batman TV show, from the types of play they did growing up to their present-day interests.

In this series, they discuss the show's allure and its failures, the arc of the show from satire to sitcom, its influences (the '40s serials and the comic books themselves) and the things it, in turn, influenced.

Tim is an administrator of the Batman '66 Facebook page!

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May 25, 2023

Rembrandt meets the Caped Crusader??

As the broadcast of Batman season one drew to a close, a treatment called Rembrandt the Third Meets his Master was submitted by 31-year-old Yale M. Udoff, who would go on to some success, but was just getting started as a screenwriter. Udoff’s inexperience may account for many of the problems with this treatment: A...

Apr 27, 2023

Batman and Robin talk to the press

At the height of Batmania in the first half of 1966, nearly every press outlet found it necessary to do a feature story on the phenomenon. But many in the media were not terribly impressed by Batman, so these articles tend to look down their noses at the show. One such example is “Has TV Gone Batty?”, an article by...

Mar 2, 2023

Batman Collected

When the Batman TV show set off Batmania in 1966, a wide variety of toys and other tie-in items, not all of them licensed, hit the market. Since licensers seldom made style guides in the ‘60s, rights to the actors likenesses weren’t available, and some of the onslaught of Bat-crap came from overseas makers who...

Feb 2, 2023

Former Batman comics writer Winston Lyon, fresh off his novel Batman vs. Three Villains of Doom, a few months later produced the novelization of Batman: The Movie, a book called Batman vs. the Fearsome Foursome. This time, for our 200th episode, we discuss the book: though based on Lorenzo Semple, Jr.’s screenplay, it...

Jan 12, 2023

Nora Clavicle

The three versions of the script for Nora Clavicle and the Ladies’ Crime Club raise some interesting questions about season three. Why did the Duo and Batgirl never have a way to easily contact each other? Why do our heroes’ early suspicions that Nora is crooked all get cut from the script? What are the types of...