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Like many who grew up in the '60s and '70s (and perhaps even '80s and later), Tim and Paul had the course of their lives changed by the 1966 Batman TV show, from the types of play they did growing up to their present-day interests.

In this series, they discuss the show's allure and its failures, the arc of the show from satire to sitcom, its influences (the '40s serials and the comic books themselves) and the things it, in turn, influenced.

Tim is an administrator of the Batman '66 Facebook page!

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Dec 6, 2018

Eartha Kitt is dressed to kill

With Julie Newmar off (reportedly) filming Mackenna's Gold, Eartha Kitt was recruited to play Catwoman in season three. In this episode, we dig into her first appearance, Catwoman's Dressed to Kill, an episode that seems to exhibit a lot of misogyny — but is that primarily on the part of writer Stanley Ralph Ross, or...

Nov 22, 2018

In 1966, Signet released the novel Batman vs. Three Villains of Doom by Winston Lyon. Like most Batman '66 tie-in merch, it was released very early in the show's run, which means that its ability to ape the show is limited. Lyon sometimes borrows from the comics to augment what he doesn't know about the show,...

Nov 8, 2018

Dick Carr's first draft of The Silent Film Capers — which Bat-fans know as Death in Slow Motion — was submitted in November 1965. It went through numerous revisions before becoming the story we know and love. In this episode, we go through the first three drafts of the script and find the original form of the giant...

Oct 25, 2018

In spite of having three whole episodes to tell the story of the Terrific Trio's visit to Londinium, the show nonetheless leaves plenty of plot threads hanging, important moments unshown, and basic villain motivations unexplained. As Batman and Robin don "beefeater" uniforms, a certain old Wendy's fast food...

Oct 11, 2018

We remain in Londinium, where Batman seems oddly bored by a bomb scare, and Lord Ffogg proves able to be in two places at the same time. Also, in spite of having three whole parts to work with, this story still seems to be running short of time and leaving important story points to the imagination of the viewer.